Olivia Krupp
When I was a freshman in college, I would attempt to wake up every morning around 6 a.m. to meditate. Half-asleep, I would scan through various guided meditations on YouTube and finally settle on one that promised inner Zen. Iād follow this routine with a workout and glass of green juice ā all before my 9 a.m. lecture.
If I had chosen to film my routine and place a trending song in the background on TikTok, it likely would have gone viral. The comments would be filled with remarks such as āThe ultimate clean girl aesthetic,ā or āWe love a productive queen.ā
Except, I wasnāt filming anything at all. Meditating drives me insane, and green juice makes my stomach turn.
How does one perform so tirelessly for an audience that doesnāt exist?
For a lot of Gen Zers, this phenomenon of an invisible stage feels unconscious. The almost innate desire to calculate day-to-day life in terms of aesthetic feels more like an infection than anything.
Some have called TikTok a national security risk. But, I cannot help but feel our influx of media consumption at rapid rates is far larger a concern.
We behave in a system in which individual moments lose their authenticity and instead become pixels to be seized for later viewing. We subscribe to this way of living as if itās normal ā and in many ways, it is. An animal at a zoo is thrown a piece of meat, and there is a brief moment in time in which the artificial hunt feels natural. Until it remembers itās in a prison.
Consider the panopticon. It is a circular jail design centered around one guard ā the idea being that the prisoners will feel theyāre always under surveillance. The main principle behind the design is discipline ā instilling good behavior in each inmate. The concept is nothing new. It fills our literature and movies, but what is bothersome is how it has now consumed our lives.
We film moments to be perceived in the way we desire. With endless capturing comes the internalization and imitation of behavior that, subconsciously or not, we have deemed āgood.ā We scroll through videos of couples reading poetry to one another or some girl making her perfect bed. This is good behavior, so good it makes sleeping past 10 a.m. or not having a boyfriend feel so achingly bad.
I turn 20 this year and have just begun to realize my failure to separate these curated 10-second clips from real life. Iāve found myself wondering if my home videos for my future children will be tainted by a subconscious desire to be aesthetically pleasing. I wonder if my child will look back on milestones like riding a bike through the lens of a day-in-my-life video.
Will we remember our youth the way it was or the way we performed for it to be?
I realize these matters and feel this urge to scream. I donāt want to be productive today, and I donāt want to make my bed or bake a healthy recipe. No one is watching me, but I feel their breath upon my shoulder and their gaze with each movement I make.
This inability to see the saturation within the media we consume ā itās undoubtedly the cement beneath the panopticon we live in. And weāve built it ourselves.
Without confronting this issue head-on, we wonāt ever be able to escape. Most of us understand the absurdity of setting up a camera to capture a moment as mundane as making a gluten-free lunch or running on a treadmill.
Yet, we still are unable to separate these acts from real life, and in that way, we are unable to separate these acts from ourselves. Who are you when you arenāt in a tireless pursuit of achieving the āclean girl aestheticā or having a productive morning? What do these moments feel like when you arenāt thinking about how you can warp and perform them for later?
The only way to find out is to step out, to see life outside of pixels and their false importance.
While itās true that social media platforms have robbed our generation of authenticity, we arenāt helpless. Now more than ever, discussions around apps like TikTok are playing a larger role in our countryās social climate ā with Gen Z at the forefront.
If we can free ourselves, perhaps we will feel less of a desire to store experiences on the shelf. Maybe one day, we will love our lifeās experiences just as they come ā just as our parents did.
While the path to breaking down our inner panopticon is nowhere near simple, I am sure of one thing. If we cannot make a conscious choice to be present now, the way we interact with social media will turn into the way we interact with ourselves.
We donāt need to save these moments for later. Let us be hungry now and savor each as they come.
Olivia Krupp is originally from Chicago. She is a sophomore majoring in journalism and minoring in photography at the University of Arizona and the editor of the opinions desk for the student newspaper The Daily Wildcat.
